Crossing Over 2002

Fissures 1997

Dissolution 2002

The Scream 1995

Time Shift 2002

Still "Child"

No Comment 2003

Still "Oil"

No Comment 2003

Still "Atom"

 No Comment 2003

Still "Morning"

No Comment 2003

Ways  1997

Luigi Nono 2003

In the Beginning Was 1993

The Net 2003

Choreography for 2 Computers 1993

Troy Cycle  2002

Invasion of the Ants 1994

Prepared Piano 1993

Still "war 4"

War 2002

Still "war 3"

War 2002

Self-portrait  diptych  1993 - 1994

Snail Sex 1993

Still-life  1995   

Free Decision 1991 

Big Brother triptych 1994

Cooperation  1991

Despite 1990      

The Day  triptych Third part 3The Evening  1987

Monopolization 1990

High Fly  1990

Here and no further 1991

The Kiss  diptych 1992

Smile 1991

Expansion 1983

Vibraphon  triptych Middlepart 1994

Group A-D 4parts Part D 1992

Dexter Gordon 1991

„I am “ 1992

Inescapability  triptych 1996

Narcissus  Triptych Middle Part 1976

Icarus II  1993

The Loss of the Individual   1993

Romeo and Juliet or The Love Life of 2 Mayflies   triptych  1996

Weighing Up Mightyness diptych 1994

Contrasts  triptych 1988

Frank Strozier 1991  

Silent Monopolization 1992

Icarus 1982

Melancholia 1989

Desillusionment  1989

Occupation diptych 1994

Feeling One`s Way Forward 1992   

The Way There 1992

Confrontation 2 Parts  Part 1(Black)  1988

Balance  1989

Contact 1989

Ways II 1997

The Tower of Babel 1989

Two equal Poles dyptich  1994

Garden of Delights  triptych 1986

Beehive  1996   

ABOUT THE WORK

The oeuvre of Georg Weiss was borne upon tremendous earnestness and the will to trigger feelings and emotions. He rebeled against social and technological developments which reduce the individual to a mere functional element. Georg Weiss recognized the danger and risks of our modern industrial society and battles for freedom of thought, action, and feeling. He demanded of himself and others a high degree of sensitivity toward developments that divide people

from themselves and others. In his own words, he created "worlds". When he said this, Georg Weiss meant that his artworks do not merely involve formal, aesthetic, and craftsmanship aspects, but are also a message which, based on the foundation of his mastery of craftmanship, he translated into the language

of the visual arts.

SELECTED EXHIBITIONS

Vienna  Prag  Bratislava  London  Windsor  Oxford   Dachau   Passau   Munich   Frankfurt   Bonn  Berlin

I am inspired and motivated by

" modern jazz from the end 1950s to the present day, beginning with Miles
  Davis, John Coltrane, Dexter Gordon, and Roland Kirk and continuing  to

  the present day"

" modern, serious music, beginning with Luigi Nono and John Cage and
  continuing to the present day"

" all visual art that leads toward new ways of seeing and
  thinking, from the Renaissance to the present day"

" contemporary performance art and modern theater in all its
  appearances, including the new forms and contents of opera"

" worlds of thought in literature and philosophy, e.g. the work of
  Nietzsche, Sartre, Huxley, and Beckett to the work of
  contemporary authors and philosophers "

" films that confront political and philosophical problems"

" discussions about politics, philosophy, art, science, and
  technology in all forms "

" determination and logical consistency in thought and action"

" art as research "

" the sovereignty of skillfulness in art, including the use of the
  latest technologies, e.g. electronics "

" architecture and design in their global, cultural diversity "

" the idea of global diversity and tolerance "

" the believe in  the power of the individual to resist reduction
  to mere function "

" the  believe that art, when it collaborates with its beholder,
  can  truly have an effect "

" the ability to communicate wordwide through my artworks "

" the sentence which insists 'it is a lie that man can fly "

My strength and competencies are in

" visual arts "

" creative and innovative thinking "

" mastery of painting techniques from those of the Old Masters to state-
  of- the-art electronics "

" my existential confrontation and its translation into creative worlds "

" my artworks, which unite the visual with the audible while including
  scientific-technical elements "

" the diversity of my oeuvre "

" serving as a source of impulses, discussions, confrontations "

" the exact planning of stringently thought-through exhibition concepts "

" staging art as a lived experience "

" seeking and finding audible worlds "

" the representation of contemplation through the contemporary means
  of visual arts "

" the ongoing search for and discovery of contemporary expressive forms
  that highlight the problematic issues of our era "

" the questioning of rigidly established structures "

" my working discipline "

" my firm belief that art ought to have an effect "

IMPRESSUM

Contact address

ART SIGNUM GmbH, Elisabethstrasse 23, 80796 Munich, Germany

Fon:+49 (89) 27399620 Fax:+49 (89) 27399621

Sylvia Kaufmann, kontakt@art-signum.de

www.art-signum.com

Purpose of the business

The sale and use of artworks,  projections, works of applied art and resultant rights,  granting of licenses, drawing up of commissioned works, all gallery-related tasks and artistic consulting

Number in register of companies HRB 151070

Tax number Ust-IdNr.: DE233839867

Place of jurisdiction and place of performance Munich

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